Untitled (SOP # 3), 2008
One shot sign paint and enamel on aluminum panel
62 x 47 x 1.125 inches
This layering of opposites may be reminiscent of the table tops from so many of his earlier video works, but is more specifically conditioned by an interest in the opposition between fictive depth ("optical") and factual depth ("thickness") in painting and how this will allow for a collapse of the relationship between fore- and background. It also exposes a greater concern with Hubbard's production: the aim at constructing an index or the appearance of empirical research, while also clearly exposing his aim at tension through the construction of a structure of oppositions.
That's an extract from Standard Oslo's website.
Not sure what this does for positive change on a wider scale, but in terms of painting it is very interesting. His other work adds a different dimension to painting - the videos, C prints and altered screenprints take the paintings from academic dryness to irreverent and exciting new territory.
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